It's a fun opera season this year, with the Barber of Seville, Carmen, and a couple of Shakespeare adaptations on the agenda. The opener was this Mozart opera, and it was...ok.
See, Mozart's operas to me seem like they're twice as long as they should be. The niceties of the 18th century required that the singers be given a nice slab of time for a solo on stage, and that's fine, but I wish the great one had managed to work more than one verse into each eight-minute aria. The fault of the librettist actually, I suppose, but if you choose a plot with 90 minutes of material, why make it into 200 minutes? That was the actual length of this piece, although the program said it would be 165.
With all that said, it's worth seeing. The plot goes something like this: Two soldiers make a bet with an older cynic that their betrotheds can stay faithful to them against all temptation. As part of the bet, each then tries, disguised, to seduce the other's fiance. The cynic, who is sure he will win the bet, thinks that "they're all like that", or, cosi fan tutte.
Highlights: The maid, Despina, comic relief played skillfully by Angela Mannino, with a very nice nasal voice for her turn disguised as a male. The two soldiers (Brian Stucki and Benjamin Czarnota) do a very funny slapstick bit being pulled around by a magnet. It's a truism that opera singers can't act for beans - Dorabella (Ann Sauder) for example, tended to go a bit overboard on the dramatic gestures - but I thought the two males worked very well together. I was surprised to learn that Ms. Sauder was an undergraduate, but she carried herself capably with a solid voice.
So go along and see it if you have a chance, but make sure you budget enough time for it, and be prepared to enjoy the music. You'll have to do that anyway, to keep your attention during the parts where the plot isn't going anywhere fast.